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Elie Wiesel (2008) CHILDREN OF THE LORD

Source: Norway, Denmark, Germany. Length: 118 min.
Color. Languages: Norwegian, English, German.
subtitled Filmed in Sweden and Scotland

CREDITS Director: Joachim Ronning, Espen Sandberg
Writer: Thomas Tiller
Nordseth-Production: Marcus Brodersen, Syeinung Golimo, John M. Jacobsen
Music: Trond Bjerknes
Photo: Geir Hartly Andreassen
Edition: Anders Refn
Casting: Kannecke bervel, Suse Marquardt
Diseño de producción: Karl Juliusson
Vestuario: Manon Rasmussen
Maquillaje: Ana Oria
Sonido: Marius Bemtzen
Efectos Especial: Hummer Hoimark
Efectos visuals: Martin Andersson
Protagonist
Aksel Hennie (Max Manus)
Nicolai Cleve Broch (Gregers Gram)
Agnes Kittelsen (Ida Nikoline Lindebraekke)
Knut Joner (Gunnar Sønsteby)
Christian Rubeck (Kolbein Lauring)
Ken canvas (Siegfried Fehmer)
Mats Eldgen (Edward Tallksen) Viktoria Winge
(Solveig Johnsrud )
Pal Sverre Valheim Hagen (Roy Nilsen)
Kyre Haugen Sydness (Jens Christian Hauge)
COMMENT
The film takes us to the days of World War II through one of the most significant heroes Norwegians, who like others of his companions, he risked his life to fight Nazi Germany. Much of it was shot on original locations where the events took place, and some parts of the film have been recorded in Sweden and Scotland, where he develops the plot. Norway was one of the countries that fell under the Nazi yoke at the beginning of the Second World War and this unique resource has spared no efforts to glorify the life of Max Manus. Two thousand people have worked behind the scenes in their construction and another 1,800 have participated as extras. The film, which has a pretty classic style, has tried to recreate a very realistic facts and scenarios so that viewers can relive Norwegian invasion credible than its territory and its capital was the Nazi army. The filming has included stories such as the Norwegians again see Nazi swastikas waving in the Royal Palace or Parliament, has recreated the port of Oslo, recreated the sinking of ships, bombings or the Gestapo headquarters in Victoria Terrance. This work has been determining the use of many special effects and digital recreation.

Based on the book written by Max himself Manus after the war, along with historical sources and the advice of historians and members of the museum dedicated to his memory, the film stays true to her story to the reality of the facts although varying some of the same for the sake of drama. Manus was one of the most famous saboteurs in World War II, awarded the highest military decoration Norwegian War Cross with swords and the British Military Cross. In the movie you see with the rest of actors perpetrate their attacks in central Oslo, or used in what in what became an expert, sinking enemy ships, as well as sabotage warplanes and other military targets, while being supplied by the Allies. His fame became such that he became one of the men most wanted by the Gestapo (in the movie the main objective of the commander of the Gestapo Fehmida Wolfgang Siegfried) and collaborationist police in Norway ruled that a puppet and a traitor , the leader of the Nazi party (National Unity), Vidkun Quisling. The exploits of Max Manus held served as revenge for the whole population sometida.Convertido into real social event, in its premiere in the capital attended by the King Harald V, his widow Tikka Manus, and Gunnar Sønsteby, one of the saboteurs still still alive at 90 years, member of Manus.
Max Manus (1914-Spain Norway 1996) spent his childhood and youth with his father in Cuba and the Andean region, what would cope quite well in the language español.Antes that his country was occupied by the Germans, fought as a volunteer with the Finns against the Soviet Union, the so-called Winter War between the two countries, which took place between 1939 and 1940. At 25 he returned home the same day it was invaded by Hitler's troops (April 9, 1940), then go on to join the resistance. Among its activities, in addition to making anti-Nazi propaganda, is preparing an attack that nearly put an end to the lives of Himler and Goebbels when they visited Oslo. He was arrested by the Gestapo, suffering various injuries in 1941 but his determination led him to escape from the hospital where he was taken, fleeing through Russia to South Africa and from there to the United States after seven months of travel.

in Canada first and then trained as a saboteur Scotland, becoming a member of the First Independent Company Norway. After preparation was parachuted near Oslo with his friend and began Gram Gergers a dangerous and risky work they would have died many of his peers. As stated in some scenes recreated in the film, specifically specializing in the sabotage of boats, using limpet mines that would cause serious damage to the German Navy, including most notably the sinking of the boats used to transport troops and prisoners or SS Monte Rosa the Donay. In Stockholm, a meeting of members of the resistance, known to Tikka, which would eventually become his wife, then contact the British consulate Norwegian, who otherwise praised the degree of authenticity of the tape now almost 60 years later, contains the former deeds of her husband.

Authentic Hero Norwegian war at the end of the race had the honor of accompanying the King Haakon VII in his triumphal entry into Oslo to return from exile in Britain. Their participation in the Winter War against the Communists is a fact that little is known because of its unwillingness to remember, but what I said is that he had caused severe traumas and nightmares later in life. After the war he devoted himself to successfully market office products such as Olivetti typewriters, but over time ended up taking refuge in drink, a victim of the psychological wounds that had caused the war and the loss of so many friends. Spent his last years in Spain until his death in 1996. There has been some controversy among historians on how it has dealt with the importance given to sabotage during the war or Manux participation in the Winter War. Al film was also charged, as is the case Adresseavisen newspaper or to establish any kind of moral debate, resulting in all black and white, divided between good and bad.

(Based on information from www.unmundodecine.com)

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Batignolles (2002)

Original title: Monsieur Batignole
Origin: France. Duration: 100 min.
Color. Languages: French, German. CREDITS
Subtitulado
Address: Gerald Jugnot
Writer: Gerald Jugnot, Philippe Lopes-Curval
Porducción: Dominique Farrugia, Olivier Granier, Gerard Jugnot
Music: Khalil Chahine
Photo: Gerard Simon
Edition: Catherine Kelber
Casting Sandra Nainguené, Francoise Menidrey
Costume: Martine Rapin, Annie Thellement
Makeup: Rachel Aboulkheir, Marie Luiset
Sound: Michel Kharat
ACTORS
Jules Sitruk (Simon Bernstein)
Gerard Jugnot (Edmond Batignole)
Michele Garcia (Marguerite Batignole)
Jean-Paul Rouve (Jean-Pierre Lamour)
Alexia Portal (Micheline Batignole)
Violette Blanckaert (Sarah Cohen)
Baiwir Daphne (Gila Cohen)
Götz Burger (SS. Colonel Spreich)
Nadine Spinoza (Rachel Bernstein) Damien
Jouillerot (Martin)
Sam Karman (Max Bernstein)
COMMENT
Jugnot addresses a tender story that unfolds in one of the darkest and most dramatic periods in French history: in 1942, the occupied France, the apolitical Edmond Batignole butcher lives with his wife and daughter in a small apartment on the top of their trade. When his future son and collaborator, Jean Pierre, called the Nazis to arrest Bernstein Jewish family, moved to the department confiscated. Some days later, the young Simon Bernstein escaped the Germans and returns to his old home. When Batignole find it, feel sorry for the child and hides him from her son and even his wife. Then, two cousins \u200b\u200bSimon find him in the hideout in the basement of the trade. When found by Jean Pierre, Batignole decides to escape with the children to Switzerland.
is a simple movie, nice to see, with stunning photography, mild emotional and strong performances. The fact that the film try to avoid the harshness of time that serves as the background, very well recreated in her aspect of manners, not mean we can not work
to see it closer to how humans can behave in situations where you swim against the tide (going against the occupiers) is a dangerous path and where it becomes important only ideology, survive , however unworthily.

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FLAME AND CITRON (2008)

Original title: Flammen & Citronen
Origin: Germany, Denmark, Czech Republic. Length: 130 min.
Color. Languages: Danish, German.
subtitled Filmed in Berlin, Copenhagen and Prague

CREDITS Director: Ole Christian Madsen
Guion: Lars Nader, Ole Christian Madsen
Producción: Lars Bredo Rahbek, Christoph pussys, Stefan Schubert
Música original: Karsten Fundal
Fotografía: Jorgemn Johansson
Ediciones: Soren B. Ebbe
Dirección Artistica: John Lockman, Anja Müller, Soren Schwartzenberg
Vestuario: Manon Rasmunssen, Margrehte Rasmussen, Rikke Simonsen
Maquillaje: John Bartram, Ivana Chlostova,
Sabine Schumann, Bobo Sobotka
sonido: Hans Moller
efectos especiales: Spreen Forest Haraldsted, Bemd Wildau
efectos Visual: Nastuh Abootalebi, Jonas Drehn
PROTAGONISTAS
Thure Lindhardt (Flame)
Mads Mikkelsen (Citron)
Stine Stengade (Ketty Selmer)
Peter Mygind (Aksel Winter)
Mille Lehfeldt (Bodil)
Christian Berkel (Hoffman)
Hanns Zischler (Gilbert)
COMENTARIOS
1.
Flame y Citron fueron dos de los más famosos miembros de la resistencia danesa durante la ocupación nazi. Esta película recrea la vida de estos hombres, que decidieron luchar desde la clandestinidad contra los alemanes y contra los daneses que colaboraban con ellos. Las cosas comenzaron a ser diferentes cuando empezaron a plantearse si matar o no a las personas que se les había ordenado, al vislumbrar que sus acciones se enmarcaban en una trama más compleja, que en ocasiones era opuesta a sus desire to end the Nazi enemy.
The film is a story of love, betrayal, hate and power. Flame and Citron are an effective partner, where the former has come to become the most wanted murderer Denmark. It is cold and calculating, and no hesitation to pull the trigger. The major flaw of the film is slow, because it is a film accipon. When Flame is about to commit a murder, he does not rush and effectively. At this rate fits the tempo of the film, and this is the default. Their murders are like a ritual that may not end for being slow to call the attention of the viewer. Another problem is that the audience can not empathize with Flame and Citron. No fall neither good nor bad. Although they try to print features that humanize "the family for Citron, the girl Kitty in the Flame" is not enough for the viewer to connect to one hundred percent to the cause of the couple. Citron passed the first part of the tape sweating-a detail very carefully, no doubt, given the tension and hardness that carries the kind of life they have chosen, but that ends up being something unpleasant in the eyes of the beholder. And while non-stop sweating Citron, Flame is like an iceberg. With some players developed in a distant reality to the viewer and with a pace so slow, it can be difficult to fully appreciate the dramatic content of the story: the hardness of betrayal, impotence of knowing a pawn in the hands of another, the inability to fight the great international war machine. This passes through the retina of the viewer almost without emotion.
The highlight of the film is a recreation of the time, a job that notice has been made with care. In terms of content, you have to take a break in the conversation that keeps his victim Flame Colonel Gilbert, who opens our eyes to the harsh reality of war where everything is not black or white.
2.
Inspired by true events, this film focuses on the lives of two men and Citronen Flammen, members of the Danish resistance during World War II. In a world where intrigue, lies, violence, feelings and personal background of each live together every day, both his own morality and their goals are challenged and confused. In addition to being pursued by the Gestapo, his ideals and justification for your actions of the two protagonists will be threatened by the twin agendas and distrust of his own allies. This film has great virtues. Visually it is superb. The atmosphere manages to recreate and capture all the atmosphere of the 40 thanks to a great photograph. The performances, especially that of the two main characters are the same level. The script itself is complex, ambiguous and perfectly conveys the bewilderment and confusion both emotional as confidence in their own men who live both protagonists. But being a film that focuses on the study of these two characters, the film seems more interested in showing their very accomplished visual part exterior to delve into the core of both figures. The attempt to explain and deepen them is disjointed and short of length on the narrative pace and the action that has the movie. "Flammen & Citron" manages to present the best way an interesting story but too influenced by Hollywood films, sacrificing substance for form.
3.
"In reality, Flame, a likable but phlegmatic, was obsessed with firearms from an early age. He grew up in Asserbo, north of Copenhagen, where his father ran a hotel. He had a complicated relationship with his father, who despised by the sympathy he felt towards the Germans, whose authority is folded. When his father sent him to Germany for an internship as a waiter, he developed a deep hatred for fascism. On his return to Denmark, he enlisted in the Navy and learned to shoot (shooter of the year was 1941). Very young, aged 19, joined the resistance
Citron, ten years older, was completely different. His father died when he was young and his mother had to keep house and raise four children with his pension widow, so I grew up poor but dignified. Citron always had problems with authority and even his own family was considered a loser. He was fascinated by the bohemian lifestyle and for some years worked as a scene of a Jewish vaudeville. There he met Bodil, much younger than him. She got pregnant right away, but it cost Citron established. Despite being a member of the resistance of older and acted in the street (which was reserved for the younger, without family commitments). "

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PARTNER (2004)

Original title: The Aryan Couple
Origin: United States, G. Britain. Length: 120 min.
Color. Language: English.
subtitled Filmed in Warsaw, Poland

CREDITS Director: John Daly
Writer: John Daly, Kendrew Lascelles
Production: John Daly, Peter Anurov, Vasily Balashov, Irina Szufarska
Music: Igor Khoroshev
Photo: Sergei Kozlov
Edition: Mathew Booth
Casting: Liora Reich
production designer Andrezj
Halinski Art Director: Joanna Doroskiewicz
Sets: Wieslawa Chjkowska
Costume Jagna Janicka
Makeup: Anna Dabrowska
Sound. Francois Blaignan, John Chalfant, Frank Correa
Special Effects: Arkadiusz Rosczak. Zawiasa Zdszlaw
Visual Effects: Tim Baxter
ACTORS
Martin Landau (Joseph Krauzenberg)
Judy Parfait (Rachel Krauzenberg) Kenny
Doghty (Hans Vassman)
Caroline Carver (Ingrid Vassman)
Danny Webb (Himmler) Chrstioher
Fulford (Edelhein)
Steven Mackintosh (Eichmann)
Jake Wood (Dressler)
Nolan Hennings (Gerhard)
Austen Palmer (Kurt Becher)
COMMENT
fiction about an episode that may have occurred in 1944 in occupied Hungary, where the film is developed, probably near the town of Gyor. Josef Krauzenberg agrees to transfer his financial empire and industrial personal property, including a vast collection of paintings, to Heinrich Himmler. In return, promises Krauzenberg Himmler and his 30 family members and relatives, including his wife Rachel, safe conduct to Switzerland, as the first station of his trip to Palestine., Despite the objections of Adolf Eichmann, the author of the Final Solution.
However, Krauzenberg has three thousand employees at their companies and two servants on their property in the field. These, Ingrid and Hans, are go through a couple aria, but in reality are Jews who are working for the Resistance.
What should you do with them Krauzenberg when the property is unoccupied? This is the central point of the film, they begin to see images Auchwitz, a train carrying Jews to death camp ...
Minutes before the departure of the Krauzenberg plane to Switzerland, Vassman reveal that they are Jews, named Steinberg. Ingridd asked to be carried on the flight, but the arrangement is not possible. As Himmler agreed not affect any of the employees of Krauzenberg, Josef tries to get tickets on the train to Switzerland for the next day. Meanwhile, an aide to Eichmann, Edelhein, Ingrid took an interest in and knowledge that they are Jews, trying to stop his departure to Switzerland. Himmler
The idea has been so generous to the Jews, is based on the existence of a plan called Europe, which Slovak Jews paid large sums of money to obtain permits to Switzerland or elsewhere outside the scope of the fields.
The film, which flows like a play., Is veiled based industrial destination judeohúngaro Manfred Weiss.